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Innovation and Experimentation Pt.3: Film Societies and the ‘Lone Worker’
by Paul Frith, Post-Doc Research Associate on The Eastmancolor Revolution Project Picking up from my previous blog (Innovation and Experimentation Pt.2, 13 July 2017) which featured the first selection of films from the Institute of Amateur Cinematographers collection to be digitised as part of The Eastmancolor Revolution project, two new titles from the collection are […]
Colour and the Critics
By Sarah Street, PI on The Eastmancolor Revolution project As we’ve seen, advertising Eastmancolor wasn’t always consistent, with less emphasis on a recognizable brand or trademark than Technicolor (‘What’s in a Name?’ Blog, 5 May 2017). This raises further issues around the varied responses of critics to colour once it became more widely available. Technicolor […]
Colour, Fantasy and the Children’s Film Foundation: The Boy Who Turned Yellow (1972)
In Cinema and Colour, Paul Coates remarks that after an extensive IMDB search, he found only 311 film titles that referenced the colour yellow compared with 2,018 for red and 1,459 for blue.[i] To this relatively short list we can add The Boy Who Turned Yellow, a film curio that was released in 1972. The […]
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