Tag Archives: 1960s

Colour and Realism in Hammer’s Fanatic (1965)

  by Paul Frith An often over-looked offering from Hammer Film Productions, Fanatic (AKA Die! Die! My Darling: 1965) holds a unique position in the studio’s history as it represents the first, and only, of their 1960s cycle of psychological thrillers to be shot in colour. The film stars Tallulah Bankhead in her final screen […]