Category Advertising
Colour and the Film Poster
In an earlier blog post I commented on the use (or different uses) of the brand ‘Eastman Colour’ within the British film industry, particularly in relation to the dominant brand identity of Technicolor. Since then, additional project research has revealed the legal agreements that Technicolor insisted on that dictated the appearance of the Technicolor brand […]
Third International Conference ‘Colour in Film’ (19-21 March, 2018) Report
Between the 19th and 21st of March 2018, academics, archivists and specialists in film colour gathered at the BFI Southbank and Birkbeck, University of London, for the Third International Conference ‘Colour in Film’ organised by the Colour Group (GB), HTW Berlin and the University of Zurich. The Eastmancolor Revolution team were there to present a ‘Work in Progress’ session […]
Colour advertising films in British cinemas
Starting this month we will be introducing a series of guest blogs on other aspects of British cinema and colour. We’re delighted to open this series with a piece from our colleague and friend Dr Richard Farmer, who worked on the recent 1960s British cinema project (@1960sProject). As Britain became more affluent during the 1950s, […]
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