Tag Archives: EastmanColor

THE EASTMANCOLOR REVOLUTION BOOK LAUNCH
To mark the publication of Colour Films in Britain: The Eastmancolor Revolution (BFI/Bloomsbury, 2021), the book co-authored by Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards, was launched at event chaired by Liz Watkins (University of Leeds) and hosted online by the University of East Anglia on 16th December. At the launch, three of the book’s co-authors each selected an image from the […]

Colour Costume Design
By Sarah Street As is well-known, Technicolor films invariably included a credit for the ‘color consultant’, an expert whose employment was compulsory for filmmakers who shot films using three-strip cameras leased from Technicolor. In the heyday of the process this was typically Natalie Kalmus, a key figure in the company’s public branding and advocate of […]

‘Global Colour and the Moving Image’ Conference – The University of Bristol, 10th-12th July 2019
Conference report by Cathy Lomax (Queen Mary University of London) Image: Gate of Hell/ Jigokumon(Teinosuke Kinugasa, 1953, Japan) The ‘Global Colour and the Moving Image’ conference took place over three sunny summer days at The University of Bristol and featured a dazzling array of perspectives on the theme from a truly global group of contributors. […]

RESISTING THE LURE OF THE LURID: COLOUR IN THE BLACK TORMENT (1964)
by Dr Paul Mazey The Gothic shocker The Black Torment (1964) represented a departure for the exploitation producers Michael Klinger and Tony Tenser and their company Compton Films. They had worked with director Robert Hartford-Davis on his debut feature The Yellow Teddy Bears (1963), a salacious (for the time) film about promiscuity in a girls’ […]

The Beauty Jungle: Saturation Without Depth
by Professor Sarah Street (PI). Colour was used for a number of affective purposes in films covered by the Eastmancolor project’s timeline. As Richard Farmer’s blog post of 18 January 2018 notes, colour’s increasing ubiquity in advertising attracted a multitude of arresting designs, from vibrant newspaper supplements and TV commercials to Lulu’s amazing ‘Happy Shoes’ […]